the journal

yesterday's tomorrow

yesterday's tomorrow

six buildings built to look like the future — the one that didn't quite happen. blumo went looking for it anyway.

yesterday's tomorrow

six buildings built to look like the future — the one that didn't quite happen. blumo went looking for it anyway.

the last of the light

the last of the light

six evenings on the way out of summer — moths at a screened door, a sprinkler at dusk, fireflies in a jar, a warm driveway, a cicada shell, a swing...

the last of the light

six evenings on the way out of summer — moths at a screened door, a sprinkler at dusk, fireflies in a jar, a warm driveway, a cicada shell, a swing...

why he's always alone

why he's always alone

there's never anyone else in frame with him — no crowd, no second figure, just blumo in a room that belongs to someone. that's not an accident. it's the same...

why he's always alone

there's never anyone else in frame with him — no crowd, no second figure, just blumo in a room that belongs to someone. that's not an accident. it's the same...

some weeks and quiet company

some weeks and quiet company

three quiet ones from this week — the back of things, the turntable, and the angle where i'm not quite hiding.

some weeks and quiet company

three quiet ones from this week — the back of things, the turntable, and the angle where i'm not quite hiding.

the quiet corners

the quiet corners

three ordinary moments — a kitchen counter at dawn, a profile nobody usually sees, a desk full of things people can't quite throw away.

the quiet corners

three ordinary moments — a kitchen counter at dawn, a profile nobody usually sees, a desk full of things people can't quite throw away.

why no mouth?

why no mouth?

a mouth invites judgment. blumo was never meant to react — just to hold whatever you bring to him.

why no mouth?

a mouth invites judgment. blumo was never meant to react — just to hold whatever you bring to him.