the journal

why matte?

why matte?

no shine, anywhere on him — not an unfinished surface, the finished one. a short piece on why matte.

why matte?

no shine, anywhere on him — not an unfinished surface, the finished one. a short piece on why matte.

leaves

leaves

six leaves, six shapes, one small figure trying to notice the difference.

leaves

six leaves, six shapes, one small figure trying to notice the difference.

yesterday's tomorrow

yesterday's tomorrow

six buildings built to look like the future — the one that didn't quite happen. blumo went looking for it anyway.

yesterday's tomorrow

six buildings built to look like the future — the one that didn't quite happen. blumo went looking for it anyway.

the last of the light

the last of the light

six evenings on the way out of summer — moths at a screened door, a sprinkler at dusk, fireflies in a jar, a warm driveway, a cicada shell, a swing...

the last of the light

six evenings on the way out of summer — moths at a screened door, a sprinkler at dusk, fireflies in a jar, a warm driveway, a cicada shell, a swing...

why he's always alone

why he's always alone

there's never anyone else in frame with him — no crowd, no second figure, just blumo in a room that belongs to someone. that's not an accident. it's the same...

why he's always alone

there's never anyone else in frame with him — no crowd, no second figure, just blumo in a room that belongs to someone. that's not an accident. it's the same...

some weeks and quiet company

some weeks and quiet company

three quiet ones from this week — the back of things, the turntable, and the angle where i'm not quite hiding.

some weeks and quiet company

three quiet ones from this week — the back of things, the turntable, and the angle where i'm not quite hiding.